A number of genres have been devised for this purpose, with specific structures and specific discourse strategies. Probably the most important strategy refers to the linguistic and extra linguistic choices for interpreting art. Our concern is here with some aspects of the specific English language put to work for interpreting art and with how these aspects may be dealt with in classroom procedure. Thinking, speaking, and writing about art.
Additional Information In lieu of an abstract, here is a brief excerpt of the content: I have been writing Goldin's photograph writing it, not writing about it since I first saw it, in a club in New York, as part ofa performance piece, a sort of filmic home slideshow consisting of image after image bombarding the viewer at the pace, more or less, of the average television "shot" seconds.
There were over images in the show. This one, and maybe three or four others-a skewed self-portrait in bed, a portrait ofthe artist's boyfriend with The Flintstones on the tube beside him, a picture of her parents' bedroom with their wedding photograph on the mantel-I could not forget. But this image-it is from a series of six photographs called "Sweet Blood Call," all six portraits of variously battered or scarred women, part ofa much larger series called The BalladofSexualDependency, published in book form by Aperture intwo or three years after I first saw it-this image, especially, haunts me still, defining, curiously, the space in which the avant-garde must operate.
The pun is fortuitous, and part of my attraction to the image.
The avant-garde is a surgeon. If there is an avant-garde, and I believe there is one, it operates in the gap between art and life, that wound. On the back cover of David Antin's new collection of "talk poems," whatit meansto be avant-garde,the claim is made that Antin has been, since his college days in New York in the s, "at the cutting edge of the avant-garde"-the avant-garde is always at that edge, scalpel in hand-and then the question is posed: Yes, if by this is meant not an image of fashion but the place where art and life intersect In this image we see just how much is at stake.
For in this image we are at the cutting edge of life and death, at the cutting edge, as well, between art and pornography it is easy to see how a certain eye would see in this image only the pornographic. Life and death, art and pornography. According to Fredric Jameson, in one of his more notorious assertions, "the visual is essentially pornographic, which is to say that it has its end in rapt, mindless fascination.
It is, instead, lisible, readerly.
In Barthes words, the readerly text is "characterized by the pitiless divorce which the literary institution maintains between the producer of the text and its user, between its owner and its customer, between its author and its reader.
This reader is thereby plunged into a kind of idleness-he is intransitive" 5 -that is, seduced into a state of "rapt, mindless fascination.
Its end is not some intransitive state of mindless fascination. Pornography is a call to action. But it is not, therefore, writerly. Its ends are not plural.
Its networks and codes extend onlyDiscovering The Humanities 2nd Edition By Henry M Sayre PDF Document. The Internet has provided us with an opportunity to share all kinds of information, 5. Preview. Download. PDFs Similar To discovering the humanities by henry m sayre.
Henry Sayre Writing About feelthefish.com? Writing about Art by Henry M Sayre starting at $ Writing about Art has 7 available editions to buy at Alibris4/4(1). DOWNLOAD A WORLD OF ART 7TH EDITION HENRY SAYRE a world of art pdf World of Art edition, Henry M. Sayre, (Revised 6th Edition.) In addition to the A World of Art eText, students also have access to Sayreâ€™s Writing About Art guide.
A personalized study plan for each student, based on Bloomâ€™s Taxonomy, promotes critical. Contemporary Artist Research Papers PDF documents found on the web will have page numbers that can be used. Sayre, Henry M.
Writing About Art. 4th ed.
Upper Saddle River, New Jersey: Pearson, 7. MLA Outline: I will collect as homework, an outline of your research paper. Throughout Discovering the Humanities, Third Edition, author Henry Sayre employs a storytelling approach that helps students see context and make connections across the humanities.
Believing that people learn best by remembering stories rather than memorizing facts, Sayre weaves a compelling narrative of multifaceted cultural experiences that.
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